‘Where The Awning Flaps’ Organized by Queer Thoughts & Franklin Melendez
Darja Bajagić
Olga Balema
Matthew Barney
Luis Miguel Bendaña
Body By Body
Nate Boyce
Sascha Braunig
Sam Lipp
Lucas Michael
David Rappeneau
Mindy Rose Schwartz
Chloe Seibert
11.06
-
20.07.2015
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Pushing Up the Daisies,
Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Blush on a Man (détail),
Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Grisette,
Sascha Braunig, 2013-2014, Oil on canvas over panel,
40,5 x 21 cm
Sascha Braunig, 2013-2014, Oil on canvas over panel,
40,5 x 21 cm
Pushing Up the Daisies (détail),
Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Blush on a Man (détail),
Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Untitled,
Body by Body, 2015, unique piece, Soft sculpture, 140 x 45 x 60 cm
Body by Body, 2015, unique piece, Soft sculpture, 140 x 45 x 60 cm
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Untitled,
David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Where The Awning Flaps,
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Organized by Queer Thoughts & Franklin Melendez, vue d'installation, Eric Hussenot, Paris.
Pushing Up the Daisies (détail),
Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Mindy Rose Schwartz, 2006, Wood, foam, plaster, irredescent paint, nylon rope, acrylic, Full sculpture when attached is 19ft tall.
Reaming,
Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Blush on a Man ,
Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Luis Miguel Bendaña, 2015, Custom machine-knit polyester, polyurethane, pen on paper, Xerox on paper,
130 x 54 cm
Untitled,
David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
Concrete Expression n° 23,
Chloe Seibert, 2015, Concrete, 61 x 74 cm
Chloe Seibert, 2015, Concrete, 61 x 74 cm
Untitled,
David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
David Rappeneau, 2013, Ballpoint pen, acrylic on paper,
29 x 21 cm
Reaming (détail),
Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Reaming (détail),
Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Untitled,
Body by Body, 2015, wall drawing, installation in situ.
Body by Body, 2015, wall drawing, installation in situ.
Untitled,
Body by Body, 2015, unique piece, Soft sculpture, 140 x 45 x 60 cm
Body by Body, 2015, unique piece, Soft sculpture, 140 x 45 x 60 cm
Untitled,
Body by Body, 2015, wall drawing, installation in situ.
Body by Body, 2015, wall drawing, installation in situ.
Drawing Restraint 7 (Guillotine) (détail),
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
The Boss and the Assassin #1,
Body by Body, 2014, Unique piece, Lambda print, dibond and Plexiglas, 25,5 x 35,5 cm
Body by Body, 2014, Unique piece, Lambda print, dibond and Plexiglas, 25,5 x 35,5 cm
Drawing Restraint 7 (Guillotine),
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Untitled,
Olga Balema, 2013, Foam, latex, steel, pigment,
195 x 125 x 260 cm
Olga Balema, 2013, Foam, latex, steel, pigment,
195 x 125 x 260 cm
Relief Cage,
Nate Boyce, 2014, Powdercoated steel, epoxy clay, polyurethane, acrylic, 16,5 x 44,5 x 25,4 cm
Nate Boyce, 2014, Powdercoated steel, epoxy clay, polyurethane, acrylic, 16,5 x 44,5 x 25,4 cm
Reaming (détail),
Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Darja Bajagić, 2015, Acrylic, latex, canvas, cement, graphite, UV Print, 160 x 84 cm
Untitled,
Olga Balema, 2013, Foam, latex, steel, pigment,
195 x 125 x 260 cm
Olga Balema, 2013, Foam, latex, steel, pigment,
195 x 125 x 260 cm
Relief Cage,
Nate Boyce, 2014, Powdercoated steel, epoxy clay, polyurethane, acrylic, 16,5 x 44,5 x 25,4 cm
Nate Boyce, 2014, Powdercoated steel, epoxy clay, polyurethane, acrylic, 16,5 x 44,5 x 25,4 cm
The Gloom of All The World,
Luis Miguel Bendaña, 2015, Acrylic, liquid latex on silk organza,
122 x 91 cm
Luis Miguel Bendaña, 2015, Acrylic, liquid latex on silk organza,
122 x 91 cm
Pure,
Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 003), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 003), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
Pure,
Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 004), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 004), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
Drawing Restraint 7 (Guillotine) (détail),
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Pure,
Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 005), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
Sam Lipp (in collaboration with Diamond Antoinette Stingily), 2015 (SL 005), Toner print on paper, tape, (Image stills from video by Diamond Antoinette Stingily), 122 x 122 cm
Drawing Restraint 7 (Guillotine) (détail),
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
The Gloom of All The World,
Luis Miguel Bendaña, 2015, Acrylic, liquid latex on silk organza,
122 x 91 cm
Luis Miguel Bendaña, 2015, Acrylic, liquid latex on silk organza,
122 x 91 cm
Drawing Restraint 7 (Guillotine) (détail),
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
El Maragato Barometrica,
Lucas Michael, 2013, Video
Lucas Michael, 2013, Video
The Boss #5,
Body by Body, 2014, Unique piece, Lambda print, dibond and Plexiglas, 152,5 x 101,5 cm
Body by Body, 2014, Unique piece, Lambda print, dibond and Plexiglas, 152,5 x 101,5 cm
Drawing Restraint 7 (Guillotine) (détail),
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Drawing Restraint 7 (Guillotine) (détail),
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Drawing Restraint 7 (Guillotine) (détail),
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm
Matthew Barney, 1993, Set of 7, c-print and resin, 28 x 35 x 2,5 cm